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A great BIG canvas

The old silo overlooking Hawkeye Avenue is getting the ultimate facelift, thanks to international artist Guido van Helten

-Messenger photo by Hans Madsen
Artist Guido van Helten, of Brisbane, Australia, works on part of the silo mural recently about 80 feet off the ground.

There are big canvases to paint on, and then are BIG canvases.

Artist Guido van Helten, of Brisbane, Australia, is working on the biggest one available in Fort Dodge — an 80-foot-tall abandoned concrete silo along Hawkeye Avenue.

He’s recently started putting brush to concrete after meticulously planning the work.

“I trust my planning,” he said.

The mural will, in its finished form, be viewable from all four sides of the structure.

-Messenger photo by Hans Madsen
Artist Guido van Helten, of Brisbane, Australia, works about 80 feet off the ground on the mural he’s painting on the old silo along Hawkeye Avenue in Fort Dodge.

“It’s going to be a 360-degree mural,” van Helten said.

Van Helten’s work was chosen by the Public Art Committee, which was formed in 2016 to oversee the silo project. Members include city planning staff, the Fort Dodge Fine Arts Association, the Image Committee of the Greater Fort Dodge Growth Alliance, and staff from the Blanden Memorial Art Museum.

He’s painted murals on large buildings all over the U.S., Asia, Europe and Australia.

When planning a work, he considers the existing concrete surface, both its color and shape, to be an organic part of the work.

“It’s really cool to use the concrete as a base,” he said. “I use all the angles. Some are curved, some are flat.”

-Messenger photo by Hans Madsen
Artist Guido van Helten, of Brisbane, Australia, tests a piece of the silo to see how his shade of paint will work recently.

The paint is specially formulated for concrete.

“It’s a mineral-based paint,” he said. “It bonds and becomes part of the wall.”

It actually repels moisture, something that will be important in the future on the north-facing side of the silo.

“There was a mold back here,” he said. “Now, with this paint, it protects the concrete as well.”

He didn’t want to get too aggressive in removing that mold, he said, because he wanted to preserve the concrete’s naturally aged patina.

-Messenger photo by Hans Madsen
Artist Guido van Helten, of Brisbane, Australia, mixes up a new color of paint on the ground before going up to work on the mural project that he’s painting on the old silo along Hawkeye Avenue.

“I don’t want to change it, I want to add to it.”

Right now he’s working on the sides that receive the least sunlight.

“When the weather turns I’ll be in the sun,” he said.

He’s already had one turn with the Iowa weather.

“I was painting in the snow the other day,” he said, adding, “The paint dries. It’s OK.”

-Messenger photo by Hans Madsen
Artist Guido van Helten, of Brisbane, Australia, shows off one of the tools he uses to check his work, a small drone that gives him a bird's-eye view of his work.

Much of his workday is spent in a lift bucket high above the ground. He likes it when people come by and watch, but he isn’t able to spend much time on the ground with them.

And don’t ask him how many gallons of paint he’s going to use either. The land down under is metric.

“I use liters,” he said.

Van Helten doesn’t have an exact date when he expects to complete his work, but he does have an estimate.

“End of November,” he said. “You’ll see.”

The silo mural project is funded entirely by donations from the community, local businesses and grants. No public tax money is being used.

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